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... brought the latest trend in Italian opera to German audiences. Classified more as commedia dell arte, "Figaro" was a definite divergence from the Classicism of opera seria to first successful opera and he went on to dominate the country's opera scene for the next 40 years with titles including The Opera of Orfeo established Monteverdi's status as a talented composer. This opera established that the composer knew mellifluous symphonic music. Giacomo Meyerbeer followed not long after with "Les Huguenots" (1836), an opera that fully encompassed the era's most opera by Mozart in 1786, "Figaro" reportedly raised the bar on opera opening the window to humor, political statements ...



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Sources list for PAPER ON BEGGAR'S OPERA:

Gay, John. The Beggar's Opera and Other 18^th Century Plays. Ed. D. Lindsay. London: Everyman, 1995. 145-206.
Polly Peachum: A Satirical Filter

Lillo, George. The London Merchant. The Beggar's Opera and Other 18thh Century Plays. Int. David W. Lindsay. London: Everyman, 1993. 261-326.
Millwood in "The London Merchant"

Bear, Richard. The Beggar's Opera. University of Oregon, August 1992; html version created November 1995. http://www.uoregon.edu/~rbear/beggar.html
Polly Peachum: A Satirical Filter

Giles, Patrick. "Has Generation X lost its way to the opera?" Opera News, February 1, 2000.
Marketing the Met

"L'Ormindo." Opera International. Bethesda, MD: Opera International, 2002.
"L'Ormindo"

 

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